David Morgan

Professor collaborating on research in the history of religious visual and print culture, David Morgan is a distinguished scholar at Yale University, New Haven, CT. He is a Professor of Religion and serves as the Director of the Graduate Program in Religion. His academic journey is marked by a profound engagement with the intersections of religious visual and print culture, cultural theory, and American religious and cultural history. David Morgan's scholarly pursuits are deeply rooted in understanding how religious imagery and texts shape cultural narratives and societal norms. His work often explores the dynamic interplay between visual culture and religious experience, offering insights into how these elements influence and reflect broader cultural and historical contexts. His research has significantly contributed to the field, providing a nuanced understanding of the role of visual and print media in religious practices and beliefs. In addition to his teaching and research roles, Professor Morgan is affiliated with the Department of Art, Art History, and Visual Studies, where he collaborates with colleagues to further explore the visual dimensions of religious culture. His interdisciplinary approach enriches his research, allowing him to draw connections between art, religion, and cultural theory. Professor Morgan has authored several influential books and edited volumes, which have been well-received in academic circles. His forthcoming book, "The Embodied Eye: Religious Visual Culture and the Social Life of Feeling," is anticipated to make a significant impact in the field. Published by the University of California Press, this work promises to delve into the sensory and emotional aspects of religious visual culture. Beyond his individual contributions, David Morgan is a co-founder and co-editor of the journal Material Religion, which examines the material aspects of religious practices and beliefs. He also co-edits the book series "Religion, Media, and Culture" published by Routledge, which provides a platform for exploring the intersections of these fields. Through these editorial roles, he fosters scholarly dialogue and encourages innovative research in the study of religion and culture.