Ian Macmillen

Ian Macmillen is an esteemed ethnomusicologist currently serving as a faculty member in the Department of Music at Yale University. He earned his PhD from the University of Pennsylvania and holds a Bachelor of Arts degree from Pomona College. His academic journey has been marked by a profound exploration of the intricate relationships between musical performance and the discourses of violence, trauma, and reconciliation, with a particular focus on the cultural landscapes of former Ottoman Europe. Macmillen's research delves into the sonic and affective materialities of music, examining how these elements intersect with broader social and historical narratives. His work is distinguished by its interdisciplinary approach, bridging ethnomusicology with critical studies on race and affect. Among his notable publications is the book "Playing It Dangerously: Tambura Bands, Race, and Affective Block in Croatia and Its Intimates," which offers an insightful analysis of the role of tambura music in shaping racial and affective identities. In addition to his book, Ian has contributed several articles that explore themes such as the musical racialization of sincerity, the dynamics of transnational tambura tours, and the cultural significance of tambura wedding rituals. His scholarly contributions have been recognized with grants and awards from prestigious institutions, including the American Council of Learned Societies and Oberlin College. Macmillen is also actively involved in pedagogical initiatives, having developed a course-based oral history project supported by the Great Lakes Colleges Association. This project underscores his commitment to integrating research and teaching, providing students with hands-on experience in ethnographic methods and oral history. At Yale University, Ian Macmillen is dedicated to fostering a dynamic learning environment where students can engage critically with the intersections of music, culture, and society. His teaching philosophy emphasizes the importance of understanding music not only as an art form but also as a powerful medium for social commentary and transformation. Through his work, Macmillen continues to contribute to the field of ethnomusicology, offering fresh perspectives on the complex interplay between music and the human experience.