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Dr. Andrew deWaard has expertise in the intersection of communication, media studies, and the political economy. As an Assistant Professor of Communication at the University of California-San Diego, he delves into the intricate dynamics of cultural industries and the financialization of media. His scholarly pursuits are deeply rooted in understanding how financial capital influences media authorship and the broader cultural landscape. Dr. deWaard has made significant contributions to the field through his co-authored works, including "The Cinema of Steven Soderbergh: indie sex, corporate lies, and digital videotape," which examines the interplay between independent cinema and corporate influences. His other notable publication, "Derivative Media: How Wall Street Devours Culture," explores the impact of financial markets on cultural production and consumption. In addition to his written contributions, Dr. deWaard is actively involved in pioneering research projects. He co-directs cultcap.org, an initiative dedicated to exploring innovative stewardship models within the independent music sector. This project aims to uncover sustainable practices that can support artists in a rapidly changing industry landscape. Furthermore, Dr. deWaard leads the MACRO Lab, a research endeavor focused on analyzing the effects of monopoly ownership on media diversity and representation. Through this lab, he investigates how concentrated media ownership can shape public discourse and cultural narratives. Dr. deWaard's work is characterized by a commitment to bridging the gap between academia and real-world media challenges. His research not only contributes to theoretical advancements but also offers practical insights into the evolving nature of media and culture in the context of financial and technological transformations.

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