Ann Folino White

Ann Folino White is an esteemed Associate Professor of Theatre at Michigan State University, where she has been a pivotal figure in the academic exploration of theatre and performance. Her academic journey began with a B.A. in Theatre from Michigan State University, followed by an M.A. in Theatre and a Ph.D. in Interdisciplinary Theatre and Drama from Northwestern University. Additionally, she holds a Gender Studies Certificate from Northwestern, reflecting her deep commitment to interdisciplinary research. Professor White's teaching portfolio is rich and varied, focusing on stage directing and performance theory. She has a particular interest in American theatrical and popular performance from the late-nineteenth to the early-twentieth century, a period she believes is crucial for understanding contemporary performance practices. Her courses are known for their rigorous engagement with both historical and theoretical perspectives, encouraging students to critically analyze the intersections of performance and society. Her research interests are deeply rooted in gender studies, American drama, protest performance, and performance theory. Ann's scholarship has been widely recognized and published in numerous journals and anthologies, contributing significantly to the discourse on American drama and protest. Her book, "Plowed Under: Food Policy Protests and Performance in New Deal America," published by Indiana University Press in 2015, is a testament to her expertise in examining the role of performance in social and political movements. Beyond her academic achievements, Ann has made substantial contributions to the theatre community as a dramaturg. She has worked with Appletree Theatre and Writers’ Theatre in the Chicago area, where her insights have enriched numerous productions. Her practical experience in dramaturgy complements her academic pursuits, providing a well-rounded perspective that she brings to her teaching and research. Ann Folino White's work continues to inspire both her students and colleagues. Her dedication to exploring the complexities of performance and its societal impacts makes her a vital member of the Michigan State University faculty. Her ongoing research and teaching efforts are instrumental in shaping the next generation of theatre scholars and practitioners.