John Powers

Focused on global perspectives in film and media, John Powers is an Assistant Professor of Film and Media Studies at Washington University in St. Louis. His scholarly work delves into the intricate history of experimental film and video, with a particular emphasis on how technological advancements have shaped avant-garde film aesthetics. Through his research, Powers seeks to unravel the complex interplay between technology and artistic expression in the realm of experimental cinema. Powers is the author of the insightful book "Technology and the Making of Experimental Film Culture," which meticulously examines the pivotal role of Bolex cameras, film labs, and optical printers in the development and evolution of experimental film culture. His work provides a comprehensive understanding of how these technological tools have influenced the creative processes and outcomes within the experimental film community. In the classroom, Powers is dedicated to fostering a deep appreciation for the diverse facets of film and media. He teaches a range of courses that cover American cinema history, experimental film theory and practice, documentary film and media, and film historiography. His teaching philosophy is rooted in encouraging students to critically engage with film as both an art form and a historical artifact, promoting a nuanced understanding of its cultural and technological contexts. Powers' research interests extend to the broader scope of film aesthetics, critical media arts, and the history of U.S. film. He is particularly intrigued by the evolution of moving image media technologies and their impact on the narrative and visual language of film. His work often intersects with the study of experimental film history, where he explores the innovative techniques and narratives that have emerged from this dynamic field. Through his academic pursuits, Powers aims to contribute to the ongoing dialogue surrounding the role of technology in shaping film culture. His research not only highlights the historical significance of experimental film but also underscores its relevance in contemporary media landscapes. As a scholar and educator, Powers is committed to advancing the understanding of film as a transformative medium that continues to evolve in response to technological and cultural shifts.