Susan McClary

Susan McClary enhances global conversations on the cultural criticism of music as the Fynette H. Kulas Professor of Music and Head of Musicology at Case Western Reserve University. With a keen focus on the intersections of music, gender, sexuality, and the body, McClary has established herself as a leading figure in her field. Her seminal work, "Feminine Endings: Music, Gender, and Sexuality," has been pivotal in reshaping the discourse around the social and signifying dimensions of musical practices. McClary's research delves deeply into the ways music interacts with cultural and social practices, challenging traditional boundaries and expanding the scope of musicology. Her analysis often transcends the European canon, incorporating contemporary popular genres to provide a more comprehensive understanding of music's role in society. This approach has not only broadened the academic study of music but also made it more inclusive and relevant to modern audiences. Her innovative contributions to the field have been recognized with numerous accolades, including the prestigious MacArthur Foundation Fellowship. This recognition underscores her profound impact on the cultural analysis of music, particularly in how it relates to issues of subjectivity and the body. McClary's work continues to inspire scholars and students alike, encouraging a deeper exploration of music's cultural significance. In addition to her research, McClary is a dedicated educator, committed to mentoring the next generation of musicologists. Her teaching philosophy emphasizes critical thinking and encourages students to question and explore the multifaceted relationships between music and society. Through her guidance, many students have gone on to make significant contributions to the field themselves. McClary's influence extends beyond academia, as she frequently engages with broader audiences through lectures and public discussions. Her ability to communicate complex ideas in an accessible manner has made her a sought-after speaker and a respected voice in cultural criticism. Her work not only enriches the academic community but also fosters a greater appreciation for the diverse ways music shapes and reflects our world.