Mauro Resmini

Dr. Mauro Resmini applies his expertise to solve challenges in the intersection of cinema, media studies, and Italian cultural studies. As an Associate Professor at the College of Arts and Humanities at the University of Maryland, College Park, he brings a nuanced understanding of critical theory and politics to his teaching and research. Dr. Resmini is also a core faculty member in Comparative Literature, where he contributes to a vibrant academic community with his interdisciplinary approach. Dr. Resmini's scholarly work delves deeply into the realms of Italian studies and film studies, with a particular focus on the political dimensions of cinema. His acclaimed book, "Italian Political Cinema: Figures of the Long '68," offers a comprehensive analysis of how Italian cinema from 1968 to the early 1980s depicted the intricate relationship between film and politics. This work has been pivotal in understanding the cultural and political narratives of the period, shedding light on the cinematic portrayal of social movements and political discourse. In addition to his book, Dr. Resmini has published numerous articles in esteemed journals such as "Diacritics" and "Camera Obscura: Feminism, Culture, and Media Studies." His writings often explore the intersections of feminism, culture, and media, contributing to broader discussions on how media shapes and reflects societal values and ideologies. At the University of Maryland, Dr. Resmini teaches a variety of courses that reflect his diverse research interests. His classes on Italian Cinema, Film Form and Culture, History of Cinema, and Post-war Film Theory are known for their engaging content and critical perspectives. Students in his courses benefit from his deep knowledge and passion for the subject matter, gaining insights into the historical and theoretical contexts of film. Dr. Resmini's commitment to education and research extends beyond the classroom. He is actively involved in academic conferences and symposiums, where he shares his findings and collaborates with other scholars in the field. His work continues to inspire students and colleagues alike, fostering a deeper appreciation for the complex interplay between cinema, culture, and politics.