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Miki Kaneda
Empowering stakeholders through research on transcultural movements and the intersections of race, gender, and empire in music, Miki Kaneda serves as an Assistant Professor of Music, Musicology, and Ethnomusicology at the College of Fine Arts, Boston University. Her scholarly pursuits delve into the realms of experimental, avant-garde, and popular music, with a particular emphasis on the cultural landscapes of Japan and the United States. Kaneda's research is distinguished by her use of ethnographic methods, which allow her to explore the intricate connections between musical performance, labor, and collective care. By centering Asian and Asian American feminist perspectives, she provides a nuanced analysis of how race and gender influence the narratives and reception of experimental music. Her work challenges conventional understandings and seeks to broaden the discourse surrounding these musical genres. In her academic endeavors, Kaneda is committed to fostering an inclusive environment that encourages critical thinking and dialogue. Her teaching philosophy emphasizes the importance of understanding music not only as an art form but also as a social and cultural phenomenon that reflects and shapes societal values and identities. Kaneda's contributions to the field extend beyond academia, as she actively engages with communities to promote a deeper appreciation and understanding of diverse musical traditions. Her dedication to her research and teaching has made her a respected figure in the study of musicology and ethnomusicology, inspiring students and colleagues alike to explore the transformative power of music. Through her work, Miki Kaneda continues to illuminate the complex interplay between music and society, advocating for a more inclusive and equitable understanding of the cultural forces that shape our world.
Publications
, 1-25, 2024-01-01
, 159-179, 2023-01-01
, 71-96, 2015-01-28
, 183-187, 2015-01-01
, 131-134, 2019-02-01
, 23-28, 2019-01-01