Elijah Gaddis

A strategic thinker in the application of historical methodologies, Dr. Elijah Gaddis serves as an Associate Professor of Southern History at Auburn University. He is also the Co-director of the Public History Program and an affiliate faculty member in Africana Studies. Dr. Gaddis's academic pursuits are deeply rooted in the spatial, material, and cultural histories of the 19th- and 20th-century American South. His research delves into the complex narratives of lynching and its intersections with everyday objects, a theme he explores in depth in his book "Gruesome Looking Objects." Dr. Gaddis is recognized for his innovative approach as a public and digital historian. He collaborates with a variety of organizations to uncover and preserve untold histories, employing interdisciplinary methods that include material culture, ethnography, and spatial studies. Through the Community Histories Workshop, he engages with communities to document and interpret their unique historical narratives, ensuring that marginalized voices are heard and acknowledged. His work is characterized by a commitment to understanding the nuanced layers of Southern history, particularly how cultural and material artifacts can illuminate broader social and historical contexts. Dr. Gaddis's research not only contributes to academic discourse but also serves as a bridge between scholarly work and public engagement, making history accessible and relevant to diverse audiences. In addition to his research and teaching, Dr. Gaddis is actively involved in mentoring students and guiding them in the exploration of public history. His dedication to education and community involvement underscores his belief in the transformative power of history to inform and inspire change. Dr. Gaddis's contributions to the field have been recognized through various awards and grants, reflecting his impact on both the academic community and the public sphere. His ongoing projects continue to challenge conventional narratives and encourage a deeper understanding of the South's complex past.