Sara Fraker

Sara Fraker is an Associate Professor of Music at the Fred Fox School of Music at the University of Arizona, where she explores the fascinating intersections of music and ecology. Her research delves into the innovative realm of nature-based music, commissioning new works and programming imaginative chamber music that resonates with both the natural world and human creativity. One of her notable collaborations includes working with plant ecologist Robin Wall Kimmerer and composer Asha Srinivasan on the piece "Braiding," which beautifully intertwines ecological themes with musical expression. Currently, she is engaged in an exciting project with the Laboratory of Tree-Ring Research (LTRR) titled "Performing Dendrochronology." This unique endeavor integrates music, visual art, and tree ring data, offering a multidisciplinary approach to understanding the environment through artistic lenses. In addition to her academic pursuits, Fraker is an accomplished oboist. She serves as the principal oboist for True Concord Voices & Orchestra and holds the position of second oboist with the Tucson Symphony Orchestra. Her performance career is marked by numerous collaborations with various ensembles, both in recordings and live performances. Her artistry has taken her to stages across the United States and internationally, where she has presented recitals and masterclasses, sharing her passion and expertise with a global audience. Fraker's contributions to the world of music extend to her discography as well. Her debut solo album, "Botanica," released in 2019, showcases her ability to blend musicality with ecological themes, offering listeners a unique auditory experience. Her academic background is equally impressive, with degrees from Swarthmore College, the New England Conservatory, and the University of Illinois, reflecting her dedication to both her craft and her scholarly pursuits. Through her work, Sara Fraker continues to inspire and innovate, bridging the gap between music and ecology, and fostering a deeper appreciation for the natural world through the universal language of music. Her efforts not only enrich the academic community but also contribute to a broader understanding of the interconnectedness of art and nature.