

Dean Adams
Professor Dean Adams is a distinguished scholar and practitioner in the field of arts management, publishing extensively on the intersection between commercial and not-for-profit performing arts organizations. As a Professor and Senior Associate Dean of Performing Arts Services at the University of North Carolina at Charlotte, he brings a wealth of experience and insight to his role, shaping the future of arts education and management. Before joining the University of North Carolina at Charlotte, Professor Adams served as the Artistic Director of the Connecticut Theater Festival, where he honed his skills in arts management and production. His leadership and innovative approach have been instrumental in the success of numerous productions, both domestically and internationally. His work with prestigious organizations such as Hartford Stage and Parsons Dance Company has earned him a reputation for excellence in directing and designing productions. Professor Adams's academic journey is as impressive as his professional career. He holds degrees from Florida State University, the University of Maryland, and Tufts University, each contributing to his comprehensive understanding of the arts and their management. His teaching career spans several universities, where he has inspired countless students to pursue their passions in the arts. In addition to his academic and professional accomplishments, Professor Adams is an active member of several professional organizations, where he continues to contribute to the discourse on arts management. His research interests focus on the dynamic relationship between commercial and not-for-profit sectors, providing valuable insights into the challenges and opportunities facing the performing arts industry today. Through his extensive experience and dedication to the arts, Professor Dean Adams remains a pivotal figure in the field, continually pushing the boundaries of what is possible in arts management and education. His commitment to excellence and innovation ensures that he remains at the forefront of the ever-evolving landscape of the performing arts.
Publications
, 565-572, 2016-01-06