Louise Siddons

Louise Siddons is a distinguished Professor of Art History at Oklahoma State University, where she has been a faculty member since 2009. She holds a Ph.D. from Stanford University, awarded in 2005, and has previously taught at San Francisco State University and Michigan State University. Her academic journey is marked by a profound commitment to exploring American art and the visual culture of modernity. Siddons' research interests are deeply rooted in the history of printmaking and photography, with a particular focus on how these mediums intersect with issues of race, gender, and sexuality. Her scholarly work often delves into the cultural studies domain, examining how visual representations shape and are shaped by societal narratives. In addition to her academic pursuits, Siddons has an active critical and curatorial practice. She has held significant roles at the Fine Arts Museums of San Francisco and was instrumental in establishing the Oklahoma State University Museum of Art, where she served as the founding curator and co-director. Her curatorial work reflects her scholarly interests, often highlighting underrepresented voices and narratives in art history. Currently, Siddons is engaged in a research project that investigates the career of photographer Laura Gilpin, particularly through the lens of Gilpin's 1968 book. This project seeks to unravel the complex intersectional politics of photography, indigeneity, and queerness, offering new insights into the ways these themes are interwoven in visual culture. Her contributions to the field have been recognized and supported by prestigious organizations, including the National Endowment for the Humanities, the US-UK Fulbright Commission, and the National Endowment for the Arts. These accolades underscore her impact and influence in the field of art history, particularly in the areas of printmaking and photography. Louise Siddons continues to inspire students and colleagues alike with her dedication to uncovering and interpreting the nuanced layers of visual culture. Her work not only enriches the academic community but also contributes to broader conversations about identity and representation in art.