Gregory Zinman

Gregory Zinman is an esteemed Associate Professor and the Interim Director of Undergraduate Studies at the Art and Art History Department at Emory University. With an academic foundation that includes a PhD and MA from New York University and a BA from Yale University, Zinman has established himself as a prominent figure in the fields of film studies, media studies, and art history. His scholarly pursuits are deeply rooted in the exploration of contemporary global media art, experimental film and media, public art, and digital culture. Zinman's contributions to the academic and artistic communities are multifaceted. He has authored insightful articles for renowned publications such as The New Yorker and The Atlantic, where his expertise in digital culture and media art is frequently showcased. His curatorial acumen is evident in the screenings and film and media art programs he has organized at various prestigious institutions, reflecting his commitment to advancing public engagement with contemporary media art. In addition to his academic and curatorial endeavors, Zinman has lent his expertise to the film industry. He served as a technical consultant for the film "Ad Astra," providing valuable insights that contributed to the film's production. Furthermore, he played a pivotal role as an archival producer for Mark Levinson's documentary "Universe in a Grain of Sand," demonstrating his ability to bridge the gap between academic research and practical application in the film industry. Zinman's scholarly contributions are further exemplified by his publications. His book "Making Images Move: Handmade Cinema and the Other Arts" delves into the intersection of cinema and other artistic forms, offering a comprehensive analysis of handmade cinema. Additionally, he co-edited "We Are in Open Circuits: Writings by Nam June Paik," a collection that highlights the innovative work of the pioneering media artist. Through his research, writing, and curatorial projects, Zinman continues to push the boundaries of how we understand and engage with media art and digital culture. His work not only enriches academic discourse but also enhances public appreciation of the dynamic and evolving landscape of contemporary media art.