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Miso (Cheng-Yu) Wei

Professor at Theatre, Carnegie Mellon University3 Followers

Dr. Miso (Cheng-Yu) Wei excels in the dynamic field of stage and production management as an Assistant Teaching Professor at Carnegie Mellon University's School of Drama. With a unique blend of expertise in theater and social work, Dr. Wei has carved a niche for herself in the international theater scene, contributing significantly to both stage management and production management. Her impressive portfolio includes credits on Broadway, the prestigious Old Globe, and the Mandarin version of The Lion King Musical, showcasing her versatility and global reach in the theatrical world. Dr. Wei's professional journey is marked by her dual role as an educator and theater consultant. She is deeply committed to nurturing the next generation of theater professionals, imparting her knowledge and experience in entertainment business management, organizational change, and team building. Her teaching philosophy emphasizes practical learning, encouraging students to engage with real-world challenges and develop innovative solutions. In addition to her academic and consulting roles, Dr. Wei is known for her collaborative approach to theater production, fostering environments where creativity and efficiency thrive. Her ability to manage complex productions with precision and her dedication to fostering teamwork have earned her a reputation as a leader in the field. Dr. Wei's contributions extend beyond the classroom and stage, as she actively participates in initiatives aimed at enhancing the theater industry's adaptability and resilience. Her work often intersects with social work principles, reflecting her commitment to using theater as a tool for social change and community engagement. Through her multifaceted career, Dr. Wei continues to inspire and influence both her students and colleagues, leaving a lasting impact on the theater community. Her dedication to excellence and innovation in stage and production management ensures that she remains at the forefront of her field, driving the evolution of theater practices worldwide.

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