

E. Gaynell Sherrod
E. Gaynell Sherrod is a distinguished professor of Dance + Choreography at VCUarts, where she brings a wealth of experience as a professional dancer, choreographer, and historian. Her academic journey is marked by a master's degree and a Doctorate in dance education from Temple University, complemented by her recognition as a Fulbright-Hayes scholar in dance research. Dr. Sherrod's work is deeply rooted in African American vernacular dance and the African Diaspora, themes that permeate both her artistic and theoretical endeavors. Throughout her career, Dr. Sherrod has held various teaching positions at esteemed institutions, including New York University and Florida A&M University. Her dedication to dance education has been acknowledged through numerous accolades, notably her role in founding the New York City Department of Education Dance Institute. This initiative underscores her commitment to nurturing the next generation of dancers and educators. In addition to her teaching responsibilities, Dr. Sherrod is actively engaged in the creation of dance works, mixed media pieces, and dance writing. Her creative output is a testament to her innovative approach to the art form, blending traditional and contemporary elements to explore complex cultural narratives. Her scholarly contributions extend to her authorship of "Katherine Dunham and The Dance Griots: Reading the Invisible Script," a book that delves into the intricate tapestry of dance history and its cultural significance. Dr. Sherrod's research interests are centered on the African Diaspora and African American vernacular dance, areas in which she has made significant contributions through both her academic and creative pursuits. Her work not only enriches the field of dance but also offers profound insights into the cultural and historical contexts that shape it. Her influence extends beyond the classroom and studio, as she continues to inspire and mentor students and colleagues alike. Dr. Sherrod's passion for dance and education is evident in her tireless efforts to promote diversity and inclusivity within the arts, making her a pivotal figure in the dance community.
Publications
, 1307-1310, 1962-12-01
, 96-97, 2018-03-01
, 104-105, 2018-03-01
, 100426, 2023-08-01
, 349-350, 1995-09-01