Samir Al-Hadid

Samir Al-Hadid is a distinguished instructor at Kent State University, where he serves as the director of the vocal jazz ensemble, Nova Jazz Singers. With a profound passion for music, Al-Hadid has carved a niche for himself as a talented arranger, composer, educator, and vocalist. His academic journey in music began at Western Michigan University, where he earned a Bachelor of Music degree in Jazz Studies and Music Education, laying a solid foundation for his future endeavors. Al-Hadid's expertise in vocal jazz performance is well-recognized, having collaborated with numerous renowned artists in the field. His dedication and skill have earned him several awards, both as a soloist and as part of group performances, highlighting his versatility and commitment to excellence in music. His choral compositions have also gained significant attention, being featured in various vocal jazz groups and events, further establishing his reputation as a creative force in the music community. Beyond his contributions to Kent State University, Al-Hadid is deeply involved in music education. He currently serves as the Choir Director for Cuyahoga Falls High School, where he inspires and mentors young musicians, fostering their growth and passion for music. His leadership extends to his role in the Ohio Choral Directors Association, where he actively participates in advancing choral music education and supporting fellow educators. Al-Hadid's dedication to music and education is evident in his multifaceted career. He continues to influence and shape the future of vocal jazz through his innovative compositions and dynamic teaching methods. His commitment to nurturing talent and promoting the art of vocal jazz is unwavering, making him a respected figure in the music education community. Through his work, Samir Al-Hadid not only enriches the lives of his students but also contributes to the broader music landscape. His passion for music and education is a testament to his belief in the transformative power of the arts, and he remains a vital part of the ongoing dialogue in vocal jazz and choral music.